Haruki Murakami’s What I Talk About When I Talk About Running is not just about putting on running shoes and clocking miles—it’s a quiet meditation on how we stretch our limits, make peace with our aging bodies, and keep going even when everything inside us wants to stop. In this section, he explores what happens when we push past our known boundaries—physically and mentally—through his experience of running an ultramarathon.
Most people consider a full marathon a once-in-a-lifetime achievement. Murakami, always seeking a deeper challenge, decided to run a 100-kilometer (62-mile) ultramarathon at Lake Saroma in Hokkaido. He wasn’t chasing a record. He simply wanted to test the edges of his endurance.
The first half of the race went well. His pace felt strong, and his optimism stayed intact. But once he passed the familiar 26.2-mile mark, his body began to rebel.
“Different parts of my body, one after another, began to hurt… like a jury of exhausted muscles deliberating over whether I should continue.”
At mile 34, he stopped briefly—fresh clothes, some food, a few stretches. But when he resumed, his legs no longer listened. He wanted to run, but his body had a different plan. That’s when the real challenge began—not physical, but mental.
To survive the second half of the race, Murakami had to become something else entirely. A runner stripped of identity, running only on willpower.
“I’m not a human. I’m a piece of machinery. I don’t need to feel a thing. Just forge ahead.”
He repeated that mantra again and again, using it to silence the part of his brain screaming for rest. There was no longer joy in running. No clarity. Only the next step. Then the next.
And then—at mile 47—he broke through.
“I passed through something. I don’t know what it was, but I was on the other side of it.”
It wasn’t a high. It was a strange peace. Exhaustion wasn’t gone; it had simply become part of him. He kept going. Quietly. Automatically.
Crossing the finish line after nearly twelve hours, Murakami didn’t feel euphoria. No overwhelming relief. No tears of joy.
“The end of the race was just another marker in time. Nothing more, nothing less.”
He had done it. And that was enough.
But what followed was unexpected. A deep, lingering fatigue—mental more than physical. For weeks, even months, he couldn’t run with the same joy. The experience had drained something in him.
“Instead of feeling energized by the experience, I felt like something inside me had been used up.”
He called it runner’s blues. A quiet, invisible weight that made him question everything. Had he pushed too far? Had he broken something in himself?
Eventually, Murakami returned to running—but slower. Gentler. He no longer chased distance or pace. He ran to move, to breathe, to be.
This was when his relationship with running—and with himself—began to shift. He started listening more closely to his body. Honoring its new limits. Embracing what he could still do, rather than mourning what he could no longer chase.
“Just because I can’t run as fast doesn’t mean I can’t still be a runner.”
The lesson wasn’t about achievement. It was about presence. Commitment. Peace.
Murakami doesn’t fight aging. He acknowledges it with grace. His muscles don’t recover like they used to. His race times are slower. But his spirit? Still moving forward.
“Aging is something we all must face, but how we face it is up to us.”
He shifts the focus from competition to endurance. From performance to persistence. He is not running to win—he’s running to remain himself.
“The only opponent I need to defeat is the version of myself who was slower yesterday.”
In this way, every run—even a slow one—is a quiet victory.
Murakami’s ultramarathon wasn’t about finishing 62 miles. It was about learning what remains when everything else is stripped away. Who you are when there’s nothing left but your breath, your thoughts, and your will.
That’s what makes this story so moving—not the miles, but the mindset. Not the triumph, but the quiet return. His lesson is one we can carry into whatever long road we face: keep going. Even when it hurts. Even when it’s quiet. Especially then.